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热门影视 大家都在看
猎杀杰西卡·布洛克
Danica De La Rey Jones,塔梅尔·伯贾克,安东尼·奥塞耶姆,Vaughn Lucas基卡2025
玛侬·克拉维尔,Makita Samba,托马斯·库芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯纳德·布兰卡恩,Kadija Leclere,安纳尔·斯诺克,Thierry Hellin,埃洛迪·巴特尔斯偶像活动！×美妙天堂 THE MOVIE -相遇的奇迹！-
下地紫野,茜屋日海夏搜查瑠公圳
朱轩洋,吴卓源,张世,梁修身,朱栢康,姚淳耀,张永正,李雪,潘仪君,詹怀云,马力欧,罗芽里,廖嘉琛,王振复,钱薇真好孩子2025
许瑞奇,周智慧,洪慧芳,路斯明,吴清樑,刘怡伶父母姐弟
凯特·布兰切特,亚当·德赖弗,夏洛特·兰普林,薇姬·克里普斯,汤姆·威兹,莎拉·格林,弗朗索瓦兹·勒布伦,茵蒂娅·摩尔,卢卡·萨巴,马伊姆·拜力克同类推荐
拍得不错
方中信,周柏豪 ,张兆辉,蔡卓妍,卢海鹏,林雪,李灿森,应采儿,苗侨伟,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
山羊的救赎
12岁的哈迪亚被迫嫁给了她埃及村庄的一位长老，她带着家里的山羊穿越沙漠寻找父亲，父亲很快开始用她已故母亲的声音和她说话
朝圣
柳西亚·加西亚,米奇·马丁,特里斯坦·乌罗阿,何塞·安赫尔·艾力格,莎拉·卡萨斯诺瓦斯,米丽亚姆·加列戈,珍妮特·诺瓦斯,席琳·蒂尔,米奇·罗布莱斯,塞尔吉奥·昆塔纳,大卫·萨拉伊瓦从小失去双亲的玛丽娜18岁了，为了申请奖学金，她必须离开养父母，前往大西洋海岸，从她从未谋面的祖父母处获得签名。新姨妈、叔叔、堂亲，她在众多新家人间周旋，不确定自己是会被接纳还是排斥。这段旅途唤醒了玛丽娜尘封已久的情感，揭开家族往昔的隐秘创伤，她由此拼凑起那些支离破碎、往往矛盾的记忆碎片，试图重现她几乎遗忘的父母身影。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫故事发生在1988年的德国，汉斯（萨沙·亚历山大·吉尔萨克 Sascha Alexander Geršak 饰）和迪特（亚历山大·吉尔 Alexander Scheer 饰）抢劫了位于北威州格拉德贝克的德意志银行，并且劫持了两名银行职员作为人质，带着他们一起踏上了逃往的旅途。 很快，负责此案的迈泽警探就展开了对于汉斯一行人的追捕。为了钳制警方，汉斯的女友玛丽昂（Marie Rosa Tietjen 饰）又劫持了一辆载有三十名乘客的公交车，来帮助男友脱离警方的追捕。因为歹徒手中的人质数量众多，导致德国警方迟迟无法下手，引来了舆论和媒体的不满，与此同时，迪特在一次意外中射杀了年仅14岁的少年曼纽埃尔，这场死亡事件将整个故事推上了高潮。