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艾旦影视
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楼上的人们
河正宇,李荷妮,孔晓振,金东旭血屋之谜
有罪，AI如此宣判
芳根京子,臼田麻美,桥本淳, 井内悠阳,小川冬晴,滨田信也,藤井直树,荒井敦史,坂口涼太郎,儿岛雄一,岩谷健司,岸本鲇佳,浅野和之,风吹淳,国村隼无情的城市
金锡勋,赵成夏,徐英姬照亮黑暗
Aamani,Esha Chawla,占西,Vishwadev Rachakonda谋杀穆巴拉克
潘卡·特里帕蒂,迪宝·卡帕蒂娅,维杰·维玛,卡瑞诗玛·卡普尔,萨拉·阿里·汗,蒂丝卡·乔普拉,库纳尔·赫姆,桑杰·卡普尔,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam人气佳作
魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦水底惊魂
丹尼尔·祖瓦图,邦妮·丹尼森,克里斯·康罗伊,乔尼·奥尔西尼,葛瑞芬·纽曼,Mackenzie Rosman,马克·马戈利斯麦哲伦
盖尔·加西亚·贝纳尔,达里奥·亚斯贝克·贝纳尔,拉斐尔·莫雷斯,托马斯·阿尔韦斯,保罗·卡拉特雷,罗尼·拉扎罗,Rafa Siguion-Reyna,Ivo Arroja,麦克斯·格罗斯·马延奇,Roger Alan Koza,奉·卡布雷拉,Hazel Orencio,Daniel Palisa,瓦尔德马尔·桑托斯,Ângela Ramos,Yvanne Evangelista,Rubén Carballés,Elisabete Pedreira,Sasa Cabalquinto,Amado Arjay巫咒
王楠楠,田诗雨,张瀚文,刘宇锋,姜景中,王倾,关鹏,刘頔,郭子恒,宋卓然导演精选
一一
NJ（吴念真）是个很有原则的生意人，同妻子敏敏（金燕玲）、女儿婷婷（李凯莉）、儿子洋洋（张杨洋）以及外婆住在台北某所普通公寓里。小舅子的一场麻烦婚礼过后，因为外婆突然中风昏迷，他迎来更加混乱的日子。敏敏公司、家里两头跑，时常感觉自己要被耗空；婷婷一直为外婆的中风内疚，恋爱谈到中途发现自己不过是替代品；NJ更是麻烦重重，公司面临破产，他又不愿放下别人眼里一文不值的自尊。一家人里，似乎只有洋洋没有烦恼，他平静地用照相机拍着各种人的背面，帮他们长出另一双眼睛，然而，洋洋简简单单的一句话，道出更深的悲凉。
网住你的心
A coming-of-age story of a girl who experience life through misadventures & dating apps.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.