荡妇天使
Komasa(真子)是一猛牛,她来自赤木峰,像女仔女郎叫真子,女孩真子流浪汉漂泊在工作。有一天,她救了梦露,是一个粉红色头髮的女人,她是被恶魔生命攻击的对象。梦露得到了一份工作,在“热唇”沙龙裡它很快发现,她的口交有神奇的治癒伤处能力,能使不能勃起的阳痿老人一柱擎天,能使眼盲者重见光明,中风者站立走动...., 各种奇蹟发生,顿时轰动社会,患者都到热唇沙龙要求口交,打败各大医院。梦露变成“吹萧救世主”的天使美名。 不久,她的神奇能力是最受欢迎的女孩,在那裡的病人和残障人,她享有寻求特殊待遇,并拥有天使的治癒病患特殊神力的女人。“热唇”沙龙里有真子、直子、梦露、莉卡、莉娜等热情性开放女郎,在老板操控下,生意大好.....主任Mototsugu渡边(性感战女孩)主导这个荒唐的性感喜剧!......
剧情简介
Komasa(真子)是一猛牛,她来自赤木峰,像女仔女郎叫真子,女孩真子流浪汉漂泊在工作。有一天,她救了梦露,是一个粉红色头髮的女人,她是被恶魔生命攻击的对象。梦露得到了一份工作,在“热唇”沙龙裡它很快发现,她的口交有神奇的治癒伤处能力,能使不能勃起的阳痿老人一柱擎天,能使眼盲者重见光明,中风者站立走动...., 各种奇蹟发生,顿时轰动社会,患者都到热唇沙龙要求口交,打败各大医院。梦露变成“吹萧救世主”的天使美名。 不久,她的神奇能力是最受欢迎的女孩,在那裡的病人和残障人,她享有寻求特殊待遇,并拥有天使的治癒病患特殊神力的女人。“热唇”沙龙里有真子、直子、梦露、莉卡、莉娜等热情性开放女郎,在老板操控下,生意大好.....主任Mototsugu渡边(性感战女孩)主导这个荒唐的性感喜剧!......
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假面复仇
Marco Giallini,Edoardo Leo,Catrinel Marlon骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。
时装
安吉丽娜·朱莉,阿尼尔·阿内伊,艾拉·朗夫,路易·加瑞尔,加朗斯·马里利埃,纪尧姆·马贝克,文森特·林顿,肖恩·格莱特,费尼肯·欧菲尔德,米格伦·米切夫,克斯蒂·伊尔维斯·萨维纳,阿黛尔·蒙特布尔,卡蒂亚·克里韦拉里,弗朗索瓦·菲利皮在时装周的狂热中,三位女性在巴黎的生活中不期而遇,她们一边应对着世界的悲剧,一边思索着自己人生的问题:麦克斯(Maxine),一位40多岁的美国电影导演,发现自己患上了癌症;阿达(Ada),一位年轻的南苏丹模特,逃离了她注定的命运,却被推入了一个充满欺骗的世界;安吉尔(Angèle),一位在T台幕后默默工作的法国化妆师,梦想着逃离自己的生活。
连环杀手夫人
杰奎琳·费南德斯,马诺杰·巴杰帕伊,莫希特·雷纳,Zayn Khan一名医生因一连串令人震惊的凶恶案而入监服刑,他忠心的妻子打算模仿同样的杀人手法作案,借以证明他的清白。
环法
热拉尔·德帕迪约Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet. Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.
冰封之地
尼古拉斯·凯奇,约翰·库萨克,凡妮莎·哈金斯,凯瑟琳·拉·纳莎20世纪80年代初,站街流莺辛蒂(瓦妮莎·哈金斯 Vanessa Hudgens 饰)险些遭人杀害。与此同时,在阿拉斯加一处荒凉所在,一名女性尸体被人发现。警官杰克·海尔康伯(尼古拉斯·凯奇 Nicolas Cage 饰)从辛蒂处了解到,凶手手段残暴无情,并且可能是个连环杀手。由于背负着不堪回首的过去,杰克一方面决定保护这个侥幸从死神手中逃脱的女孩,另一方面将目标锁定在曾在70年代有过前科的男子罗伯特·汉森(约翰·库萨克 John Cusack 饰)身上。罗伯特道貌岸然,不动声色继续着他的猎杀活动,当他意外再度出现在辛蒂面前时,正邪双方的对决即将到了关键时刻…… 本片根据真实事件改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
沉默的镜像
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