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林文文yooki粉色制服诱惑好美
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看不见的他们
和佳蓉,毛凡,陈晓霞,孙盈艺,苏俊宇黑暗之下
丹尼斯·奎德,托尼·奥勒,艾米·缇加登,斯蒂芬·朗斯福德战斧骨
帕特里克·威尔森,库尔特·拉塞尔,莉莉·西蒙斯,肖恩·杨,扎恩·迈克拉农,马修·福克斯,大卫·阿奎特,凯瑟琳·莫里斯,希德·黑格,理查德·詹金斯,迈克尔·帕尔,杰米·埃克托,詹姆斯·托根搜查瑠公圳
朱轩洋,吴卓源,张世,梁修身,朱栢康,姚淳耀,张永正,李雪,潘仪君,詹怀云,马力欧,罗芽里,廖嘉琛,王振复,钱薇真最后一根稻草
杰瑞米·西斯托,杰西卡·贝尔金,格伦·古尔德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦尔斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen一一
吴念真,李凯莉,金燕玲,张洋洋,萧淑慎,尾形一成,陈希圣,林孟瑾,陈以文,柯宇纶,张育邦,柯素云,唐如韫,徐淑媛,曾心怡,陶传正人气佳作
别走
斯蒂芬·多尔夫,梅利莎·乔治,西蒙·德兰尼,加文·欧康诺,莱勒·罗迪,肖恩·马洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne时速72
弗兰克·斯帕诺,乔治·阿克拉姆洛杉矶之战
艾伦·艾克哈特,拉蒙·罗德里格兹,威尔·罗斯海尔,科里·哈德里克,吉姆·帕拉克,基诺·安东尼·佩西,尼欧,詹姆斯·廖,布里吉特·莫伊纳汉,诺尔·费舍,阿德托库姆布斯·麦克马克,布赖斯·卡斯,迈克尔·佩纳,米歇尔·罗德里格兹,小尼尔·布朗,泰勒·汉德雷,乔伊·金,卢卡斯·提尔,Kenneth Brown Jr.,雅丹·古尔德,乔·克里斯特,E·罗杰·米切尔,罗斯·布莱克维尔,苏西·阿布罗梅特,布兰迪·科尔曼,大卫·詹森,汤姆·希尔曼,莉娜·克拉克,塔琳·萨瑟恩,詹姆斯·D·德弗,Dane Brown,Gra天鹅中的狼
达里奥·格兰迪内蒂,David Atrakchi,玛佳丽达·维拉·诺瓦导演精选
拼桌
对美食有着独特见解的“码农”陆拾谷(王传君 饰),与经常用美食治愈生活的图书编辑张嘉怡(江疏影 饰),因午饭时的拼桌意外结识,在一起寻找更多美味的经历下,两人逐渐成为彼此味觉和心意相投的“饭搭子”。陆拾谷默默按照母亲的心意生活、工作,可心中却翻涌着无限波涛,张嘉怡的图书编辑工作、感情生活纷纷遇到瓶颈,在都市的烟火气,牛马打工人的迷茫中,拾谷与嘉怡最终会在味蕾与真心的指引下如何完成自我的成长?二人间又会产生怎样宿命般的羁绊?一道色香味俱全的真香菜肴只待观众“尝鲜”!
猫吻:当你打开心扉的那一瞬间
失去妻子后,没有灵魂地生活的童话作家赵容熙。他只要去妻子画画的房间,就会出现过度呼吸的症状,很久没进过那个房间了。但是从某一天开始,那个房间里开始传来奇怪的声音。鼓起勇气打开房门的龙熙。妻子房间的天花板漏水,住着在仁偷偷藏起来的小猫。在仁拜托我养猫,雪上加霜的是,来修理天花板的木匠哈罗恩提议把闲置的房间变成猫的房间…龙熙究竟会做出什么选择?
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster