何处寻真相
八十年代，女记者卡伦（AlisonLohman饰）正著手调查十五年前一桩酒店凶案的真相。当事人兰尼（KevinBacon饰）与文斯（ColinFirth饰）是著名搭档艺人，1972年，两人为慈善事业筹款而进行巡回演出期间，人们在他们的套房中发现了一具女尸……卡伦先后接近两人，得到了兰尼的自传手稿，兰尼声称死者莫琳因嗑药过量而溺毙，但卡伦将兰尼的生活习惯与自传两相佐证后发现疑点重重。当年兰尼与文斯事业顺利，于是黑社会邀请他们演出，某夜，校报记者莫琳同两人上床，无意中发现文斯的同性恋倾向并以此要挟。兰尼怀疑吸毒成瘾的文斯杀死莫琳，但两人在黑社会庇护下都逃避了制裁。卡伦对两人各自的陈述不置可否之际，真正的凶手却自己浮出了水面…… 本片获2006年加拿大吉尼奖最佳剧本奖艾旦影视
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剧情简介
八十年代，女记者卡伦（AlisonLohman饰）正著手调查十五年前一桩酒店凶案的真相。当事人兰尼（KevinBacon饰）与文斯（ColinFirth饰）是著名搭档艺人，1972年，两人为慈善事业筹款而进行巡回演出期间，人们在他们的套房中发现了一具女尸……卡伦先后接近两人，得到了兰尼的自传手稿，兰尼声称死者莫琳因嗑药过量而溺毙，但卡伦将兰尼的生活习惯与自传两相佐证后发现疑点重重。当年兰尼与文斯事业顺利，于是黑社会邀请他们演出，某夜，校报记者莫琳同两人上床，无意中发现文斯的同性恋倾向并以此要挟。兰尼怀疑吸毒成瘾的文斯杀死莫琳，但两人在黑社会庇护下都逃避了制裁。卡伦对两人各自的陈述不置可否之际，真正的凶手却自己浮出了水面…… 本片获2006年加拿大吉尼奖最佳剧本奖艾旦影视
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脆弱的男人
Az 在 Sète（法国南部）的一个牡蛎养殖场工作，他非常熟悉牡蛎，曾打开过成百上千个，一天，他决定藏一枚戒指在其中一只牡蛎中，向他的女友 Jess 求婚，但是对方没有答应。不过幸运的是，他的一群朋友已经准备好帮他重新振作起来。 Az travaille chez un ostréiculteur à Sète. Les huîtres il connaît ça par cœur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孤立无援
一个被放逐的焦虑不安的居家者必须与一个进入她家的外星人战斗。