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鬼们之蝴蝶大厦
尹馨,曹佑宁,冯淬帆,白润音,蔡振南,庄凯勋,安心亚,曾莞婷大明嫔妃之困斗
宋洋,何杜娟,朱一龙,陈一诺深水
艾伦·艾克哈特,本·金斯利,安格斯·桑普森,迈德琳·怀斯特,凯莉·盖尔,拉米安·纽顿,莫莉·贝尔·赖特,马克·哈德洛,罗伯·基帕-威廉姆斯,露西·巴雷特,普里亚·贾恩,理查德·克劳奇利,瑞恩·邦恩,拉科塔·约翰逊,杰奎琳·李·戈尔茨,凯特·菲茨帕特里克,加文·李,那尔那茜,李汶翰,赵思玫无限：未知对象
托莉·巴特勒-哈特,伊恩·麦克莱恩,康勒斯·希尔,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart饮食男女1994
郎雄,杨贵媚,吴倩莲,王渝文,张艾嘉,归亚蕾,赵文瑄,陈昭荣,陈捷文,卢金城,唐语谦,洪其德,王瑞,杜满生,王玨,陈妤,左正芬,许敬民,聂卓晶,丁仲伊甸之枪
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson同类推荐
如何大赚一笔
格伦·鲍威尔,玛格丽特·库里,杰西卡·亨维克,比尔·坎普,扎克·伍兹,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗兰切威勒,拉夫·洛,史蒂夫·马克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅伦·迈克尔,内尔·威廉姆斯,乔·瓦兹,马丁·门罗,比安卡·阿玛托,罗伯特·霍布斯,伊桑·桑德斯本是豪门继承人的贝克特·雷德费洛（格伦·鲍威尔 Glen Powell 饰）被家族抛弃，为了确保成为巨额遗产的唯一继承人，他不择手段干掉了七个亲戚。影片灵感来源于1949年的喜剧《仁心与冠冕》。
半身死灵
大岛优子,山崎真实,萤雪次朗,阿部进之介在近代日本坊间流传着这样一个传说，名叫岛礼子的美丽少女被美国大兵轮奸，在此之后她精神失常，卧轨而死。岛礼子一缕幽魂不散，化作只有上半身的恐怖恶灵。它极端憎恶红色，每晚出没在横跨铁路的天桥上，并在路过之人背后发出“嗒卡嗒卡”的声音。一旦路人回头，它便将对方拦腰斩断。即使侥幸逃过，在接下来的72小时内也必然遭到“嗒卡嗒卡”的猎杀。 高中少女大桥可奈（大岛优子 饰）的好友绫花夜归遭遇“嗒卡嗒卡”，遇害身亡。克奈在祭拜好友时，同样见到这个恐怖恶灵，不过侥幸逃脱。然而死亡的阴影仍然笼罩在她的头上，在女大学生平山理绘（山崎真实 饰）的帮助下，她们一同出发寻找求生的办法……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
月亮中的亚马逊女人
阿瑟尼奥·豪尔,Donald F. Muhich,莫妮卡·加布里埃尔由21 个闹剧穿插一部科幻短片组成的闹剧，导演罗伯特（《怪异的阿尔 杨克维奇》）、约翰（《动物屋》）等等都是环球影片公司的一线导演，他们的共同特点就是在搞怪搞笑方面各有绝招。这些短片大都是对美国夜间电视节目和低成本科幻片的戏仿，故事包括一个男子受到他所住的房子攻击、一场由喜剧演员主持的葬礼和被吸进电视机里的人等等。 眼花缭乱 满嘴放炮
穿越者之异梦空间
马文强,宁丹琳,果静林是一个融合现代科技、维度穿越、动作、喜剧、烧脑等流行元素的美剧式故事。宇宙万物，存在于不同的时间与空间中，称之为“时空”，各个时空彼此平行，永不交错，除非，在两个平行空间中，出现了两个完全吻合的断点...梦是什么?如果梦是时空中的平行线，那现实又是什么? 影片将于2016年2月26日在爱奇艺独家播映！