ミルキー・グラマー 真田まこと写真
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送葬人
道格拉斯·史密斯,卢锡安·拉维斯科特,克雷西达·博纳斯,道格·琼斯,迈克尔·特鲁科,珍娜·凯内尔,埃丽卡·特伦布莱,玛丽莎·埃切维里亚,克利奥·金,费·唐纳薇,凯瑞-安·莫斯,雷·沃纳尔,凯琳·伍黛尔,拉腊·诺克斯,乔纳森·潘内尔,尼古拉斯·萨德勒,玛莎·哈克特,库尔特·岳疯狂丑小鸭2靠谱英雄
金属之声
里兹·阿迈德,奥利维亚·库克,保罗·拉西,劳伦·利德洛夫,马修·阿马立克,克里斯·佩尔费蒂,迈克尔·陶,威廉·泽法尔茨,亚历克斯·基尔戈尔,杰米·加扎里安杰出公民
奥斯卡·马丁内兹,达迪·布列瓦,安德丽娅·弗里杰里奥,诺拉·纳瓦斯,曼努埃尔·维森特,马塞洛·丹德烈亚,贝伦·沙瓦纳,古斯塔沃·加尔松,朱利安·拉基尔·泰拉里尼,艾玛·里维拉,尼古拉斯·德·特蕾西,丹尼尔·卡尔吉曼,亚历克西斯·洛佩兹·科斯塔,莱昂纳多·穆里亚,佩德罗·罗斯杜塞
瓦莱丽亚·布鲁尼·泰德斯基,诺米·梅兰特,文森佐·内莫拉托,范尼·伍罗奇纳,福斯托·鲁索·阿莱西,马切罗·马扎雷拉,文森佐·皮罗塔,费德里科·帕西菲奇,选填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,萨维诺·帕帕雷拉,Vincenzo Iantorno一个明星的诞生1937
珍妮·盖诺,弗雷德里克·马奇,阿道夫·门吉欧,梅·罗布森,安迪·德怀恩,莱昂内尔·斯坦德,欧文·摩尔,佩吉·伍德,埃德加·肯尼迪,J·C·纽金特,吉恩·威廉姆斯,简·阿克,Eric Alden,欧文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布兰迪克,韦德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海伦·查德维克,乔治·钱德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗莱厄蒂,弗朗西斯·福特,Tri同类推荐
刺杀小说家2
邓超,董子健,雷佳音,王圣迪,丁程鑫,王彦霖,邓飞,张震,辛芷蕾,郭京飞,常远陷入人生低谷的小说家路空文（董子健 饰）被巨大的诱惑牵引，导致他自己和书中的角色都陷入了不可逆转的危机。最终小说家找回了信念，与书中人一起拯救了双世界危机。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
重案·无罪
张天其,步籽颖 Ziying Bu,于荣光,杜玉明,梁焯满,骆言,吴永康,朱梓玥,楼学贤,张嘉飞,张苡宁本片讲述了重案组组长张晨峰被余建明陷害成杀人凶手后，张晨峰被捕后，在刑侦专家周杨与重案组成员的努力 下，成功将真正的连环杀人案的 凶手缉拿归案的故事。
77号顶层公寓
芭比·福特萨,Euwenn Mikaell,JC·阿尔坎塔拉,罗桑娜·罗瑟斯,Jackie Lou Blanco,卡洛斯·西古伊纳-瑞纳,吉娜·帕雷诺,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
检事霞夕子～无关系的死～
沢口靖子,西村和彦,神保悟志,石丸謙二郎,いしのようこ,川野太郎,ダンカン,松原智恵子,手塚理美一名男子因猎枪走火而身亡，几乎所有的人都认为这是一起意外，只有一向风格强硬的检事霞夕子（泽口靖子 饰）倍感蹊跷。她执意深入调查，但是最终一无所获。与此同时，名叫安川初音（石野洋子 饰）的女子来到夕子老家的寺院上香，她此行的目的是悼念一个因被误解而意外死亡的男子。安川种种反常举动引起了夕子的注意，她旋即又对安川展开调查，却无意间发现这两起意外事件的关联。层层迷雾渐渐散尽，真相逐渐浮出水面…… 本片根据夏树静子的原著小说《路上の奇禍》改编，是3週連続 罪と女系列的第2部，另外两部分别为《破婚的条件》和《魔术的耳语》。