露露情史
在少女露露（弗朗西斯卡·内莉FrancescaNeri饰）的眼里，哥哥的朋友巴布罗（奥斯卡·拉托依雷ÓscarLadoire饰）一直是内心里迷恋的对象，终于有一天，得偿所愿之下露露和巴布罗发生了关系，之后便是漫长的分离。几年后，巴布罗回到了露露的身边，两人顺理成章的结为了夫妻，不久之后露露剩下了一个漂亮的女儿。从表面上来看，露露的婚姻生活甜蜜而美满，但只有夫妻二人心里明白，他们一直被体内狂热的欲望所折磨着，甚至不惜尝试各种各样怪异的性生活方式。终于有一天，露露发现自己竟然和哥哥躺在了一张床上，无法忍受乱伦的罪恶感的露露离开了巴布罗。可是，混乱的生活并没有就此结束，正相反，痛苦的露露在情色的漩涡里越陷越深，以至于丝毫没有发现，危险已经悄悄的来到了她的身边eee
播放通道
详细简介
热门影视 大家都在看
红衣新娘2022
莎拉·菲尔伯鲍姆,爱德华多·诺列加,安娜·加列娜,迪诺·阿布雷夏,克里斯蒂娜·多纳迪奥,Maurizio Marchetti,马西莫·吉尼,罗伯塔·吉拉鲁索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基萨·梅加,Gino Nardella, 玛丽西亚·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea414区
盖·皮尔斯,崔维斯·费米尔,约翰内斯·豪克尔·约翰内森,科林·萨蒙,奈德·丹内利,玛蒂尔达·鲁茨,乔纳森·阿里斯,安东尼娅·坎贝尔-休斯,欧文·弗热瑞,玛吉·克罗宁,Jorin Cooke,Holly Demaine东京出租车2025
倍赏千惠子,木村拓哉,苍井优,迫田孝也,优香,中岛瑠菜,神野三铃,李濬荣,笹野高史,大竹忍,槙田雄司,北山雅康,木村优来,小林稔侍,明石家秋刀鱼疯狂的酒局
王李丹鈮,丁海峰,李国麟,杜玉明,徐光宇,韩三明,张贺,戴天,朱楒忆最后一枪2025
Lham Somphol Rungphanit,萨里卡·塞思苏帕,帕塔纳·埃桑固玩命魔术
林更新,刘添月,刘家辉,午马,周放同类推荐
德尔苏·乌扎拉
马克西姆·蒙祖克,尤里·索洛明,斯韦特兰娜·丹尼尔琴科这是一部极为出色的关于人与自然的电影。1902年和1907年，沙俄军官阿尔谢尼耶夫两次率领勘探队到乌苏里地区探险，都巧遇赫哲族老猎手德尔苏·乌扎拉。德尔苏.乌扎拉为勘探队充当向导，并挽救了阿尔谢尼耶夫的生命，与之建立了深厚的情谊。德苏对大自然相当了解与尊重，藉由他的示范 与见解，让人们了解大自然的伟大与残酷，人是可以与大自然和平相处，但当大自然被破坏时，人们将是第一个遭殃。德苏是一个神枪手，但后来在一次打猎时，德苏发现自己的眼睛因为身体衰老而退化，看不清猎物了，十分沮丧。他随阿尔谢尼耶夫到大城市伯力居住。但是，城市文明德苏却无法习惯，城市和他过去赖以生存的地方，那片纯朴的自然大地是完全不同的。猎人离开枪，离开了他所熟悉的环境，仿佛鱼儿离开了水。“城里没法狩猎，不狩猎就没有貂”“我突然想念空气。”他象是被囚禁了一般，闷闷不乐。德苏执意回到山里，回到那片密林。但是，猎人没有好的视力，便是最大的悲剧。猎人不能猎杀，自己便被会猎杀。勇敢的德苏虽然带着阿尔谢尼耶夫送给他的新猎枪，但是他却死了……
左拉传
保罗·穆尼,盖尔·桑德加德,约瑟夫·希尔德克劳特,格洛丽亚·霍顿,唐纳德·克里斯普威廉．狄特尔执导的这部影片获得了第十届奥斯卡最佳影片等三个奖项。故事描述法国文坛巨匠左拉的一生经历，以及他为了正义而不屈不挠的精神。重点讲述他为军官德雷福克斯平反冤案时的遭遇和他不畏强权势力的正义感。保罗．茂尼和约瑟夫．史屈克劳的演出精彩令人难忘，就几场法庭辩论戏这部分而言，本片也可视为法庭电影的先锋。
得闲谨制
肖战,彭昱畅,周依然,杨新鸣,阿如那,甘昀宸,周思羽,严知度,尹正,祖峰,廖凡,许君聪,江奇霖,任程伟机械厂钳工莫得闲（肖战 饰）拖家带口随逃难队伍躲进山区，与被大部队遗忘的防空炮长肖衍（彭昱畅 饰）及手下在“戈止镇”落脚。然而，莫得闲和妻子夏橙（周依然 饰）、老太爷（杨新鸣 饰）以及儿子莫等闲（严知度 饰）的平静生活因为一小队日本侦察兵的意外到来被打破。全镇百姓不忍不退，拼死守护家园，一场民间智慧对抗正规武装的殊死较量轰然展开。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
东北奇妙故事之摇篮曲
李明,张雪菡,冯筱童殡葬民俗与悬疑探案交织，借一座老宅、一口古井，揭开三代人缠绕的执念与秘密。影片以阿尔茨海默病家庭为切口，用科学精神破除迷信迷障，在悬疑与反转中传递“生命落幕，爱意不散”的温暖主题。